Following up on my previous post, I wanted to share some photos of the other art piece I built to be part of the set for the third Creative Underground Los Angeles residency at the Blue Whale. The backdrop is a sculptural/installation piece called Rogue Wave (Seeds Erupted) I made originally for the Hammer Museum show this summer. It was adapted with a different lighting scheme for this show. The group playing in this series of the first set of music is the Alexander Noice Sextet featuring: Alexander Noice - Compositions, Guitar Aregenta Walther - Voice Karina Kallas - Voice Gavin Templeton - Alto Sax, Bass Clarinet Richard Giddens - Bass Andrew Lessman - Drums, Drum Kat
I recently had the pleasure of being part of the final night of the summer residency that the Creative Underground Los Angeles collective did at the Blue Whale in Los Angeles. Having worked in the space on previous occasions, I decided that I wanted to take advantage of some of the last warm nights before the onset of Fall and produce an installation for the patio. Situated in and alcove on the third floor of a shopping mall in Little Tokyo, the space tends to be breezy as the sun sets. This piece Shadowbox was designed to interact with that phenomenon, with large photograms of bodies hung from thin cords that allowed the images to sway and dance in the breeze as viewers wandered through it.
Come join me for the opening reception for my solo show, Apartment Homes, at the Blue Whale in downtown Los Angeles. This event will be really interesting, since this reception will be happening alongside the "In Series" CD release show for the amazing Gavin Templeton Quintet. The music is inspired a great deal by the same Santa Monica landscape that the photographs explore (and the CD features some of my photographs and layouts).
Cover is $10. 21+ Doors at 8PM and the show starts at 9PM. About The Show:
From October 2 through October 30, the Blue Whale jazz and art space will be presenting a show of selected works from artist Eron Rauch's "Apartment Homes" photography project. Produced over five years, these meditative color images explore the apartment-dense landscape in which he lived during the tumultuous era of the recent housing boom and bust. The work has been featured in The Arava Review, New Landscape Photography, and Unit D. For more information, please visit http://eronrauch.com/ and http://bluewhalemusic.com/.
About The Project:
"The familiar as such, precisely because it is familiar, is for that very reason not known." — Hegel
During the darkest moments after the housing crash of 2008, the lauded American dream of owning a home seems to have died an unceremonious death. The talking heads on TV pose apartments to be a new normal; a lesser dream for the masses. I happened to be living in an apartment in Santa Monica, California at the height of the crisis. When I first heard this pejorative narrative about settling for apartments it merely annoyed me. After all, I've lived in apartments all of my adult life. So too, most of my friends, both in Los Angeles and elsewhere, live in apartments. But after my initial irritation subsided, I started obsessing about the tangled texture of the apartment landscape that sprawled all around me.
Over the course of five years I restlessly wandered and re-wandered a ten block radius around my "Apartment Home" (as the sign that advertised for vacancies called the units). Alongside the traces of the frenetic activity, now faded, during boom years, the apartment building landscape in this ocean-side town seemed designed to hide humanity. Deep and densely armored with stucco the architecture itself pushed the outside world to the edges of the lots. The ever-shifting neighbors anxiously present precisely because of their absence. Their discarded furniture and housewares the only hints of their fleeting presence.
The more time I spend wandering out amongst the apartment-scape the more clear my position as the observer of poetic nothings is solidified. I can never know even a fraction of the stories happening all around me. But here too, the camera rises to become the tool to still the world and pry beyond the edges of restless vision — the tool to drive a focused search for the small clues hidden in plain sight as to what makes up a home. Like the end of a relationship, this landscape is always forged of a simultaneous lack and overabundance of imagination. Under the camera's scrutiny the most familiar places break apart and become increasingly alien. The gravity of the alien is a spiral of images leads ever inward. The most familiar places are often the hardest to see. About The Artist:
Eron Rauch is a Los Angeles based artist who works with photography, books, essays, drawings and installations to explore the relevance and interconnection of the shadowy regions that linger just at the ever-shifting borders of the traditional fine art world and the American media landscape. From anime conventions, to apartment architecture; from renaissance faires to video game landscapes; from vernacular photography to origami; from Harajuku fashion to fantasy novels; his work explores the ways that latent desires build deeply idiosyncratic, often lonely, personal geographies. He received his MFA from the California Institute of the Arts in 2006 and has been involved with Creative Underground Los Angeles collective since December 2012.
Hi everyone! I just wanted to announce officially that I've been brought on to write articles about the intersection of art and video games at the very cool website Video Game Tourism. My first article is about a visit to NYC that I made where I got a chance to examine the Museum Of Modern Art's seminal video game collection, particularly the cult classic Dwarf Fortress, which is known for its unofficial motto, "Loosing is fun," and how it might relate to a show of re-imagined maps in a nearby gallery. http://videogametourism.at/node/1817 Go read it and let me know what you think!
Los Angeles based Subculture and architecture obsessed artist. Designer for creative music label Orenda Records; member of the Creative Underground Los Angeles multimedia collective; writer on art history and video games for Video Game Tourism; experimental photography contributor to Mouser. Curio is a public sketchbook of sorts - a place where I can explore the huge diversity of interests that are the foundation of my art in an informal way. Expect spelling errors.